In the rapidly approaching future, and increasingly the present, new sets of skills are required to successfully operate within the new work landscapes we are creating for ourselves. My top five from the list of 10 Workplace Skills of the Future
Longbroading
Seeing a much bigger picture; thinking in terms of higher level systems, bigger networks, longer cycles
Open Authorship
Creating content for public modification; the ability to work with massively multiple contributors
Multi-Capitalism
Fluency in working and trading simultaneously with different hybrid capitals, e.g., natural, intellectual, social, financial, virtual
Signal/Noise Management
Filtering meaningful info, patterns, and commonalities from the massively-multiple streams of data and advice
Emergensight
The ability to prepare for and handle surprising results and complexity that come with coordination, cooperation and collaboration on extreme scales

Boffin is last.fm radio for your local music. You aim it at your music collection and it crunches for a bit. While it eats up your music you get a wonderful view of it all, with filename scrolling at warp speed in the background and album covers moving right to left.
This is the nicest possible progress bar an app could have.
When it’s done you get a tag cloud and you can pick the different genres you want to listen to.



todayisa.com checks the weather, news stocks and other mystey stuff to determine is the day is goo, or bad. Also available in json, LOL, boolean or on twitter @todayisa

Mike Frumin’s map that show New York City subway ridership between 1905 to 2006 with sparklines for each station. Its great to see sparklines in use on a map, where the detail given by the sparkline is a kind of cartographic detail you can get lost in when looking at a map.
The general idea it that the history of subway ridership tells a story about the history of a neighborhood that is much richer than the overall trend.

Collection from the Museum of Flight.
via onpaperwings
On the Grid is a project documenting the space created by the vast nationwide network of powerlines and the land underneath them. Undeveloped except for the powerlines them selves they carve through the landscape, connected the most rural with the most urban. The shared space, buzzing with the hum of excess electricity, is at times a pristine and beautiful meadow surrounded by forest and others, the uninhabitable tract amongst suburban banality, beautiful in its own right.
On the Grid, a project by Adam Ryder and Brian Rosa, explores the landscape immediately surrounding high-tension electric transmission lines in Rhode Island. Starting near the Ocean State Power facility in Burnllville, Ryder and Rosa spent several days walking along various sites of this arterial infrastructure. Sites were chosen though surveying publicly available aerial photographs and land use maps, and all photos were geotagged with handheld GPS units. In combining the rigid technical process of digital mapping with the subjective practice of landscape photography, this project explores the state as a collection of differentiated spaces that, though seemingly isolated, are networked.
The resulting photographs showcase the topographical diversity surrounding these structures, whose own narrow terrain remains virtually unchanged throughout their straight, incisive paths. The path of the power lines functions as a rural to urban transect, cutting through farmland and commercial parks, cul-de-sacs and strip malls, used car lots and interstate highways.
As human intervention in the natural landscape sprawls to the most remote areas of the state, our lived space becomes increasingly regulated and our encounters with equivocal territories are especially rare. In more urbanized areas, we lose our relation to places which seem to exist unto themselves, where one can feel alone and unhindered. The ambiguity of the land occupied by high-tension power offers the possibility of experience outside of regulation. Despite being part of an infrastructure that is highly regulated and bureaucratized, the physical space inhabited by these power lines remains easily accessible though its sheer ubiquity. Thus, paradoxically, the realm of power lines seems to exist not only outside of regulation, but also outside of the normative properties of the native landscape. Whereas an area half of a mile away from a high tension line may be densely wooded, the space occupied by the wires will be clear-cut, devoid of trees and exhibiting, at most, low shrubbery and grass. The uniformity of this narrow swath as it cuts through the landscape reveals as much about its own spatial utility as it does of the landscape it bifurcates across the state (and beyond). It is this topographical sameness that makes the power lines amazing sites of contrast against both development and the natural landscape.
On the Grid invites reflection on the blurred relationship between networked technology, the built environment and nature through these buzzing monoliths.
- Website Text (An image on the original website)
They did a nice interview on the NPR show Living on Earth (mp3 link).
Quoting here,
Yeah absolutely, it’s a really unique tract of land that doesn’t have any development on it except for itself. So, it’s kind of, in a way its really pristine and untouched and…virginal, its kind of, kind of like, romantic and magical in that way.
-Adam Ryder
and
What’s really – I think actually awesome, is the best word I can use to say it – what’s really awesome about seeing this parade of power lines through the landscape, especially in rural areas is that we’re kind of seeing these, these tendrils connecting humanity as one large organism and it’s a cool way of looking at us, you know what I mean?
-Adam Ryder
Locate powerline grid infrastructure near you via this previous post

Sand Ocean Sky Available 7 Days Free of Charge – Steve Lambert
82 x 82 cm burned square, the size of one pixel from an altitude of 1 km.
A real life dead pixel by Helmut Smits. Digital display technologies affecting the real physical world with it’s intentions of affecting the digital representation of the physical world. See also.

NPR has some very nice visualizations of the United States electrical grid, including views for solar power and wind sources, including the the below which shows the realationship between where the good wind is, darker colors, and where the power grid is, not usually all that nearby.

Nice short interview with Kevin Slavin of Area/Code at Fabrica Blog from last year. Two striking quotes, but go read the whole thing
Regarding an very small anti-war protest in 2003, emphasis mine. -
And I realized that they had earpieces, and were connected to spotters, who were also in the city. And I saw that, and thought that it was unlike anything that we had ever seen before. The technologies of communication that are usually associated with authority start to be used in a million other ways. I saw that their ability to communicate was going to enable totally different ideas of how we actually use space. By 2003, the mobile phone was already common, but the ideas of groups and more sophisticated interactions other than ‘I’m calling you’ hadn’t really been popularized.
But a big question mark had appeared over Broadway for that moment.
Regarding PacManhattan, again emphasis mine -
The things that have happened over the last ten years point to the need to restore the idea of thinking of the city as a system upon which things can be run. That the streets are not purely for commerce or transportation, but that they have a number of layers. To think of the city as hardware that different software can be run on. Some of that software is an entertainment software, one of the titles could be Pacman. To think of the city like that seemed like a new idea, and at the same time, a very old one. It’s also one that can be rethought with new technologies. Mobile technologies allow us to do it in ways that we may have never been able to do.
[ i am the weather :: interestingness by sean salmon powered by Wordpress And is definitely Not Plastic Bag ]